Impossible Women: Lesbian Figures & American Literature

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Cornell University Press, 2000 - 191 pages

Impossible Women fills a critical gap in queer theory by spotlighting representations of lesbian sexuality in nineteenth- and twentieth-century American literature. Reading through the lens of feminist and psychoanalytic theory, Valerie Rohy considers texts by Nathaniel Hawthorne, Kate Chopin, Henry James, Zora Neale Hurston, Ernest Hemingway, and Elizabeth Bishop.Addressing American ideologies of reproduction and representation, Impossible Women suggests that lesbian figures are made to symbolize both the unrepresentable and the failures of meaning inherent in language. Rohy traces the ways lesbian sexuality--relegated to the domain of the ineffable, yet endlessly subject to inscription--appears in tropes of transference and displacement, the disembodied voice, repetition-compulsion, and the uncanny. Impossible Women also asks what cultural work such figures perform, locating lesbian desire in American literary history and engaging issues of genre and narrative, social formations such as the rhetoric of the "New Woman," and intersections of racism, sexism, and homophobia.

 

Contents

The Blithedale Romance and The Bostonians
13
The Reproduction of Meaning
42
Modernist Perversity
65
Race and Sexuality in Their Eyes Were Watching God
91
Loves Substitutions
117
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About the author (2000)

Valerie Rohy is Assistant Professor of English at the University of Vermont. She is coeditor, with Elizabeth Ammons, of American Local Color Writing, 1880-1920: An Anthology.

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